Charles Christopher "Chris" Duarte (born February 16, 1963, San Antonio, Texas, USA) is an Atlanta-based guitarist, vocalist, and songwriter. Duarte plays a rhythmic style of Texas blues-rock that draws on elements of jazz, blues, and rock 'n' roll. Background Duarte won a major label deal with Silvertone Records and released Texas Sugar/Strat Magik in 1994, and was named “Best New Talent” in Guitar Player’s 1995 Reader's Poll. He finished fourth in the magazine’s “Best Blues Guitarist” category behind Eric Clapton, Buddy Guy and B.B. King. Though Duarte has played a limited number of U.S. dates in recent years with the Japanese band Bluestone backing him, he performs primarily as a power trio, The Chris Duarte Group. Originally formed with long-time friend and collaborator John Jordan on bass, the latest incarnation features Joseph Patrick Moore on bass and Jeff Reilly on drums. Apart from his band, Duarte has performed as a session player with Julie Burrell, Diana Cantu, Alan Parsons, Bobby Mack, Tracy Conover, Indigenous, Omar & the Howlers, and the Talking Heads. Discography : Chris Duarte & The Bad Boys, 1987 (SRS Records) Texas Sugar/Strat Magik, 1994 (Silvertone) Tailspin Headwhack, 1997 (Silvertone) Love Is Greater Than Me, 2000 (Zoë/Rounder) Romp, 2003 (Zoë/Rounder) Blue Velocity, 2007 (Blues Bureau International)
Smokin' Joe Kubek (born November 30, 1956, Grove City, Pennsylvania) is an Americanbluesguitarist. Although he was born in Pennsylvania, Kubek grew up in Texas and is associated with the Texas blues style. He played with Freddie King while still a teenager, and put together his own band to tour in the Dallas area. He met Bnois King in the 1980s, and together they put together the first incarnation of Kubek's band. Kubek signed to Bullseye Blues in 1991 and released his debut record; he has steadily released albums since then. Discography : Steppin' Out Texas Style (Bullseye Blues, 1991) Chain Smokin' Texas Style (Bullseye, 1992) Texas Cadillac (Bullseye, 1993) Cryin' for the Moon (Bullseye, 1995) Keep Comin' Back (Bullseye, 1996) The Axe Man (Double Trouble Records, 1996) Got My Mind Back (Bullseye, 1996) Take Your Best Shot (Bullseye, 1998) Bite Me! (Bullseye, 2000) Roadhouse Research (Blind Pig Records, 2003) Show Me the Money (Blind Pig, 2004) U.S. Blues #14[2] My Heart's in Texas (Blind Pig, 2006) U.S. Blues #11[2] Blood Brothers (Alligator Records, 2008) U.S. Blues #4[2]
Marillionare a British rock group. Formed in Aylesbury, Buckinghamshire, England in 1979, their recorded studio output comprises fourteen albums and is generally regarded as comprising two distinct eras, delineated by the departure of original vocalist & frontman Fish in late 1988 after their first four albums, and the subsequent arrival of replacement Steve Hogarth ("h") in early 1989. Marillion has now released ten albums thus far with Hogarth.
The core lineup of Steve Rothery (the sole 'pre-Fish' original member), Pete Trewavas, Mark Kelly and Ian Mosley is unchanged since 1984. The band has enjoyed critical and commercial success with a string of UK Top Ten hits spanning their career, an estimated fifteen million total worldwide album sales and even an entry into the Guinness Book of World Records.
The band's music has changed stylistically throughout their career. The band themselves have stated that each new album tends to represent a reaction to the preceding one, and for this reason their output is difficult to 'pigeonhole'. Their original sound (with Fish on vocals) is best described as guitar and keyboard led progressive rock or "neo-prog", and has sometimes been compared with 1970's era Genesis. Marillion are widely considered within the industry to have been one of the first mainstream acts to have fully recognised and tapped the potential for commercial musicians to interact with their fans via the Internet circa 1996, and are nowadays often characterised as a rock & roll 'Web Cottage Industry'. The band is also renowned for having an extremely dedicated following with some fans regularly travelling significant distances to attend single gigs, driven in large part by the close fan base involvement which the band cultivate via their website, podcasts, bi-annual conventions and regular fanclub publications.
Current Lineup: Steve Hogarth (aka "h") - vocals and lyrics, additional keyboards, guitars, percussion (joined 1989) Steve Rothery - electric and acoustic guitars - Founding member (1979) Pete Trewavas - bass guitars, backing vocals, additional guitars, samples and effects (joined 1982) Mark Kelly - keyboards, samples and effects, backing vocals, programming (joined 1981) Ian Mosley - drums, percussion (joined 1984)
Former members: Fish (Derek W. Dick) - vocals and lyrics (left in 1988) Mick Pointer - drums (Founding member - left 1983) Diz Minitt - bass guitars - left 1982 Brian Jelliman - keyboards - left 1981 Doug 'Rastus' Irvine - bass guitars - left 1980
Marillion was formed in 1979 as Silmarillion, after J.R.R. Tolkien's book The Silmarillion, by Mick Pointer, Steve Rothery, and others. They played their first gig at Berkhamsted Civic Centre on 1 March 1980.
The band name was shortened to Marillion in 1981 to avoid any sort of copyright conflicts.At the same time as Fish and bassist Diz Minitt joined after an audition at Leyland Farm Studios in Buckinghamshire on 2 January 1981. Rothery and keyboardist Brian Jelliman completed the first line-up; the first gig with this line-up was at the Red Lion Pub in Bicester on 14 March 1981. By the end of 1981, Kelly had replaced Jelliman, with Trewavas replacing Minitt in 1982.
The early works of Marillion contained Fish's poetic and introspective lyrics melded with a complex and subtle musical tapestry to create a sound that reflected the band's influences, notably Queen, early Genesis, Pink Floyd, Van der Graaf Generator, Rush (specifically from the late 1970s), and Yes. Marillion's first recording was a demo tape produced by Les Payne in July 1981 that included early versions of "He Knows You Know", "Garden Party", and "Charting the Single".
The group attracted attention with a three-track session for the Friday Rock Show (early versions of "The Web", "Three Boats Down from The Candy", and "Forgotten Sons") and were subsequently signed by EMI. They released their first single, "Market Square Heroes", in 1982, with the epic song "Grendel" on the B-side of the 12" (30cm) version. Following the single, the band released their first full-length album in 1983.
The music on their debut album, Script for a Jester's Tear, was born out of the intensive gigging of the previous years. Although it had some obvious progressive rock stylings, it also had a darker edge, suggested by the bedsit squalour on the album's cover. Hardcore progressive rock fans still consider it their best album to this date; music critics hail it as a key album for the genre as a whole. During the tour to promote Script for a Jester's Tear, Mick Pointer left the band. The second album, Fugazi, built upon the success of the first album with a more electronic sound and produced the single 'Assassing', although the band encountered numerous production problems.
Marillion then released their first live album, Real to Reel, in November 1984, featuring songs from Fugazi and Script for a Jester's Tear, as well as 'Cinderella Search' (B-side to 'Assassing'), recorded in March and July 1984.
Their third and commercially most successful studio album, Misplaced Childhood, was quite possibly their most cohesive work. With the blessing of their record company, the band was free to depart stylistically from their previous albums. They were able to showcase their ability to juxtapose pert pop ballads ("Kayleigh", charting at #2 in the United Kingdom, behind charity fundraiser "You'll Never Walk Alone" by The Crowd)) with longer song cycles of lost youth and first loves. The album went to #1 in the United Kingdom.
The fourth studio album, Clutching at Straws, shed some of its predecessor's pop stylings and retreated into a darker exploration of excess, alcoholism, and life on the road, representing the strains of constant touring that would result in the departure of Fish to pursue a solo career. The loss of the larger-than-life Fish left a hole that would be difficult to fill. After lengthy legal battles, informal contact between Fish and the other four band members apparently did not resume until 1999.
Although reportedly now on good personal terms, both camps had always made it very clear that the oft-speculated-upon reunion would never happen. However, when Fish headlined the 'Hobble on the Cobbles' free concert in Aylesbury's Market Square on 26 August 2007, the attraction of playing their debut single in its spiritual home proved strong enough to overcome any lingering bad feeling between the former band members, and Kelly, Mosley, Rothery, and Trewavas replaced Fish's backing band for an emotional encore of 'Market Square Heroes'.
In a press interview following the event, Fish denied this would lead to a full reunion, saying that: "Hogarth does a great job with the band. We forged different paths over the 19 years."
Trivia from the Fish era album covers Two early Marillion albums contain Pink Floyd references in their cover artwork: The back cover of Script for a Jester's Tear depicts Pink Floyd's album A Saucerful of Secrets lying on the floor, along with other records including Bill Nelson's Do You Dream In Colour single. The inside cover of Fugazi shows a bedroom in disorder. There we find another set of influential albums scattered about: Pink Floyd's The Wall lies open, with Peter Hammill's Over and Fools Mate nearby. Hammill is a major influence on Fish, and on the musical style of Marillion's first two albums. Hammill also supported Marillion on the UK leg of the Script for a Jester's Tear tour. Cover art from the Fish era was furnished by Mark Wilkinson.
The Hogarth Era After the split, the band found Steve Hogarth, the former keyboardist and sometime vocalist of The Europeans. Hogarth stepped into a difficult situation, as the band had already recorded some demos of the next studio album, which eventually would have become Seasons End.
After Fish left the group (taking his lyrics with him), Hogarth set to work crafting new lyrics to existing songs with lyricist and author John Helmer. The demo sessions of the songs from Seasons End with Fish vocals and lyrics can be found on the bonus disc of the remastered version of Clutching at Straws, while the lyrics found their way into various Fish solo albums such as his first solo album, Vigil In a Wilderness of Mirrors, some snippets on his second, Internal Exile and even a line or two found its way to his third album, Suits.
Hogarth's second album with the band, Holidays In Eden, was the first he wrote in partnership with the band, and includes the song "Dry Land" which Hogarth had written and recorded in a previous project with the band How We Live. As quoted from Steve Hogarth, "Holidays in Eden was to become Marillion's “pop”est album ever, and was greeted with delight by many, and dismay by some of the hardcore fans". However, it was followed by Brave, a dark and richly complex concept album that took the band 18 months to release. The album also marked the start of the band's long time relationship with producer Dave Meegan. While critically acclaimed, the album did poorly commercially. An independent film based on the album, which featured the band, was also released.
The next album, Afraid Of Sunlight would be the band's last album with record label EMI. One track of note on the album is Out Of This World, a song about Donald Campbell, who died while trying to set a speed record on water. The song inspired an effort to recover both Campbell's body and the "Bluebird K7," the boat which Campbell crashed in, from the water. The recovery was finally undertaken in 2001, and both Steve Hogarth and Steve Rothery were invited.
What followed was a string of albums and events that saw Marillion struggling to find their place in the music business. This Strange Engine was released in 1997 with little promotion from their new label, and the band could not afford to make tour stops in the United States. Luckily, their dedicated US fan base decided to solve the problem by raising some $60,000 themselves online to give to the band to come to the US.The band's loyal fanbase (combined with the Internet) would eventually become vital to the band's existence.
The band's tenth album Radiation saw the band taking a different approach and was received by fans with mixed reactions.
marillion.com was released the following year and showed some progression in the new direction. The band, still unhappy with their record label situation, decided that it would be trying a radical experiment by asking their fans if they would help fund the recording of the next album by pre-ordering it before recording even started. The response was overwhelming and they were able to raise more than enough money to record and release Anoraknophobia in 2001. The band was able to strike a deal with EMI to also help distribute the album. This allowed Marillion to retain all the rights to their music while enjoying commercial distribution.
The success of Anoraknophobia allowed the band to start recording their next album, but they decided to leverage their fanbase once again to help raise money towards marketing and promotion of a new album. The band put up the album for pre-order in mid-production, and the fans once again responded overwhelmingly.
Marbles was released in 2004 with a 2-CD version that is only available at Marillion's website - kind of a 'thank-you' gesture to the 17,000+ fans who pre-ordered it, and as even a further thanks to the fans, their names were credited in the sleeve notes (this 'thank you' to the fans also occurred with the previous album, Anoraknophobia).
The band released the singles You're Gone and Don't Hurt Yourself, both of which reached the UK Chart in the Top 10 and Top 20 respectively, thanks again to the fans. Following this, they released a download-only single, The Damage (live), recorded at the band's sell-out gig at the London Astoria. It was the highest new entry in the new UK download chart at number 2.[citation needed] All of this has succeeded in putting the band back in the public consciousness, making the campaign a success. Marillion continued to tour throughout 2005 playing several summer festivals and embarking on acoustic tours of both Europe and the United States, followed up by the "Not Quite Christmas Tour" of Europe throughout the end of 2005.
A new DVD, Colours and Sound, was released in Feb 2006, documenting the creation, promotion, release, and subsequent European tour in support of the album 'Marbles'.
April 2007 saw Marillion release their fourteenth studio album "Somewhere Else", their first album in 10 years to make the UK Top #30. The success of the album was further underscored by that of the download-only single See it Like a Baby, making UK #45 (March 2007) and the traditional CD release of Thankyou Whoever You Are / Most Toys, which made UK#15 and #6 in Holland during June 2007.
Their next studio album, "Happiness Is the Road," will again feature a pre-order "deluxe edition" with a list of the fans who buy in advance, and a more straightforward regular release. This will be a double album, with the first disc (based around a concept) slated for general release, and the second (consisting of the other songs that aren't part of the theme) only available from their website. "Happiness Is the Road" is scheduled for release in September 2008.
Discography Studio albums Script for a Jester's Tear (1983) (UK sales 300,000 Platinum) Fugazi (1984) (UK sales 100,000 Gold) Misplaced Childhood (1985) (UK sales 300,000 Platinum, Germany 200,000+Platinum) Clutching at Straws (1987) (UK sales 100,000 Gold, Germany 100,000+ Gold) Seasons End (1989) (UK sales 100,000 Gold) Holidays in Eden (1991) Brave (1994) Afraid of Sunlight (1995) This Strange Engine (1997) Radiation (1998) marillion.com (1999) Anoraknophobia (2001) Marbles (2004) Somewhere Else (2007) Happiness Is the Road (2008) - TBR (All of the albums up to and including Afraid of Sunlight were subsequently reissued in double-CD sets containing extensive bonus material.) Compilations Brief Encounter (USA Mini LP, 1986) B'Sides Themselves (1988) From Stoke Row to Ipanema (1990) A Singles Collection (US version: Six of One, Half-Dozen of the Other) (1992) Marillion Music Collection (Italy, 1993) Kayleigh (The Netherlands, 1996) Essential Collection (United Kingdom, 1996) The Best of Marillion (Russia, 1996) The Best of Both Worlds (1997) Real to Reel and Brief Encounter reissued as a double CD set (1997) Kayleigh: The Essential Collection (United Kingdom, 1998) The Singles '82-88' (Box with 12 CD-singles containing all UK single tracks) (2000) The Singles '89-95' (Box with 12 CD-singles containing all UK single tracks) (2002) Warm Wet Circles (The Netherlands, 2003)
Singles Market Square Heroes (October 1982) He Knows You Know (January 1983) #35 UK Garden Party (June 1983) #16 UK Punch & Judy (January 1984) #29 UK Assassing (April 1984) #22 UK Kayleigh (May 1985) #2 UK (UK sales 200000 - Silver), #74 US, #14 US Mainstream Rock, #16 Holland Lavender (August 1985) #5 UK Heart Of Lothian (November 1985) #29 UK Lady Nina (April 1986), #30 US Mainstream Rock Garden Party [Live] (July 1986) Incommunicado (May 1987) #6 UK, #24 US Mainstream Rock, #31 Holland Sugar Mice (July 1987) #22 UK Warm Wet Circles (October 1987) #22 UK Freaks [Live] (November 1988) #24 UK Hooks In You (August 1989) #30 UK The Uninvited Guest (November 1989) Easter (March 1990) #34 UK Cover My Eyes (Pain & Heaven) (May 1991) #34 UK, #13 Holland No One Can (July 1991) #33 UK Dry Land (September 1991) #34 UK Sympathy (May 1992) #17 UK, #25 Holland No One Can [Reissue] (July 1993) #26 UK The Great Escape [Spiral Remake] (January 1994) #38 Holland The Hollow Man (March 1994) #30 UK Alone Again In The Lap Of Luxury (April 1994) Beautiful (May 1995) #29 UK, #46 Holland Man Of A Thousand Faces (May 1997) Eighty Days (September 1997) These Chains (September 1998) Between You & Me / Map Of The World (September 2001) You're Gone (April 2004) #7 UK, #24 Holland Don't Hurt Yourself (July 2004) #16 UK The Damage [Live] [Digital Single Only] (October 2004) See It Like A Baby [Digital Single Only] (March 2007) #45 UK Thank You Whoever You Are / Most Toys (June 2007) #15 UK, #6 Holland
Live albums Real to Reel (1984) (UK sales 100,000 Gold) The Thieving Magpie (2 CDs, 1988) (UK sales 100,000 Gold) Made Again (1996) Anorak in the UK (1 CD, 2002) (also released as 2 CD version, see below) Marbles Live (2005)
Racket Records Releases Live at the Borderline (Racket 1, 1992) - now repackaged as part of the Front Row Club Live in Caracas (Racket 2, 1992) Live in Glasgow (Racket 3, 1993) - now repackaged as part of the Front Row Club Tales From The Engine Room (Racket 7, 1998) - remix of This Strange Engine by The Positive Light (Marc Mitchell and Mark Daghorn) Marillion Rochester (2 CDs, Racket 8, 1998) - given away free to those who contributed to the "Tour Fund" for the 1997 American tour. Piston Broke (Album) (Racket 9, 1998) Unplugged at the Walls (2 CDs, Racket 10, 1999) marillion.zodiac (Racket 11, 1999) marillion.co.uk (Racket 12, 2000, reissued 2002 & 2005) How We Live: Dry Land (Racket 13, 1987) The Wishing Tree: Carnival of Souls (Racket 14, 2001) Crash Course - An Introduction to Marillion (Racket 15, 2001, reissued with different selections in 2002, 2004, and 2006) ReFracted! (2 CDs, Racket 17, 2001) (From Dusk 'til Dot volume 1 - The Making of Afraid Of Sunlight) Another DAT at the office (2 CDs, Racket 18, 2001) (From Dusk 'til Dot volume 2 - The Making of This Strange Engine) Anorak in the UK (2 CDs, 2002) (Double CD version of live album of same name, but does not contain 'Easter') Fallout (2 CDs, Racket 19 2002) (From Dusk 'til Dot volume 3 - The Making of Radiation) Caught in the Net (2 CDs, Racket 20, 2002) (From Dusk 'til Dot volume 4 - The Making of marillion.com) AWOL (Racket 21, 2002) (Sampler CD of the current band members' solo projects) Brave Live 2002 (Racket 22, 5 April 2002) View from the Balcony (Racket 23, 2003, reissued 2005, Front Row Club Sampler) Remixomatosis (Racket 24, different from proposed but abandoned 2004 retail album of the same name) Popular Music (2 CDs, Racket 25, 2005, audio companion to the 'Wish You Were Here' DVD Set Marbles by the Sea (Racket 25, 2005) (Live performances of Marbles from Marillion Weekend 2005) Unzipped (2 CDs, Racket 27, 2006) (The Making of Anoraknophobia) Smoke (Racket 28, 2006) (Sunday night 'Mellow' set from Marillion Weekend 2005) Mirrors (2 CDs, Racket 29, 2006) (Saturday night 'Party' set from Marillion Weekend 2005) Friends (Racket 30, 2007) (Saturday night 'Rarities and Covers' set from Marillion Weekend 2007) Family (2 CDs, Racket 31, 2007) (Sunday night 'Ultimate' set from Marillion Weekend 2007)
Videos / DVDs Recital of the Script (1983, reissued on DVD 2003) Grendel/The Web EP (1984) - OUT OF PRINT 1982-1986 The Videos (1986) - OUT OF PRINT Sugar Mice/Incommunicado (1987) Live from Loreley (1987, reissued on DVD 2004) From Stoke Row To Ipanema ('A Year in the Life...') (1990, reissued on DVD 2003) A Singles Collection (US version: Six of One, Half-Dozen of the Other) (1992) Brave, the Movie (1995, reissued on DVD 2004) Shot in the Dark (2000, reissued on DVD 2002) - OUT OF PRINT The EMI Singles Collection (2002) Brave Live 2002 (2002) - SHORTLY OUT OF PRINT A Piss-Up in a Brewery (2002) - OUT OF PRINT Before First Light (2003) Christmas in the Chapel (2003) Marbles on the Road (2 DVDs, 2004) Wish You Were Here (4 DVDs, 2005)- OUT OF PRINT Colours and Sound (2 DVDs, 2006) Bootleg Butlins (2007) Something Else (2007, bonus DVD released with Somewhere Else) Somewhere In London (2 DVDs, 2007)
Christmas CDs (Free issue to Fan Club members only, very limited runs. All titles now out of print, although are available for purchase as download only when taking out or renewing Fan Club membership.)
Christmas 1998 Happy Christmas Everybody (1998) Christmas 1999 marillion.Christmas (1999) Christmas 2000 A Piss-up in a Brewery (2000) - Now repackaged as part of the Front Row Club Christmas 2001 A Very Barry Christmas (2001) Christmas 2002 Santa and his Elvis (2002) Christmas 2003 Say Cheese! (2003) Christmas 2004 Baubles (2004) Christmas 2005 Merry XMas to our Flock (2005) Christmas 2006 The Jingle Book (2006) Christmas 2007 Somewhere Elf (2007)
Do you remember chalk hearts melting on a playground wall Do you remember dawn escapes from moon washed college halls Do you remember the cherry blossom in the market square Do you remember I thought it was confetti in our hair By the way didnt I break your heart? Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart But you broke mine
Kayleigh is it too late to say Im sorry? And kayleigh could we get it together again? I just cant go on pretending that it came to a natural end
Kayleigh, oh I never thought Id miss you And kayleigh I thought that wed always be friends We said our love would last forever So how did it come to this bitter end?
Do you remember barefoot on the lawn with shooting stars Do you remember loving on the floor in belsize park Do you remember dancing in stilettoes in the snow Do you remember you never understood I had to go By the way, didnt I break your heart? Please excuse me, I never meant to break your heart So sorry, I never meant to break your heart But you broke mine
Kayleigh I just wanna say Im sorry But kayleigh Im too scared to pick up the phone To hear youve found another lover to patch up our broken home
Kayleigh Im still trying to write that love song Kayleigh its more important to me now youre gone Maybe it will prove that we were right Or ever prove that I was wrong
Mike Oldfield (* 15. května 1953, Reading), vlastním jménem Michael Gordon Oldfield, je britský multiinstrumentalista, skladatel a zpěvák. V jeho skladbách se snoubí styly rocku, New Age, etno, world music a klasické hudby. Mezi jeho nejznámější díla patří debutové album Tubular Bells a píseň „Moonlight Shadow“ z roku 1983.
Rodiči Mika Oldfielda byli Maureen a Raymond Oldfieldovi, zdravotní sestra a doktor. Jeho starší sourozenci, sestra Sally a bratr Terry, jsou také úspěšní hudebníci, kteří již vydali několik sólových alb a kteří se podíleli na některých albech svého mladšího bratra. Mike Oldfield navštěvoval nyní již zaniklou školu Presentation College v Readingu. Ranná kariéra Oldfieldova hudební kariéra začala poměrně brzo v teenagerovském věku. Hrával na akustickou kytaru v místních folkových klubech. Jeho repertoár tvořily dvě patnáctimutové instrumentální skladby, které byly předchůdkyněmi jeho dlouhých kompozic ze 70. let. V tomto věku se stal členem „beatové skupiny“, která hrála hudbu ve stylu The Shadows. V roce 1967 Mike se svou sestrou Sally založili folkové duo The Sallyangie a po vystupování v místních klubech podepsali smlouvu s Transatlantic Records. Jejich jediné album, Children of the Sun, bylo vydáno v roce 1968. Krátce poté se skupina rozpadla. Mike ale zformoval se svým bratrem Terrym další duo jménem Barefoot, které se klonilo k rockové hudbě a které ale brzy zaniklo. V roce 1970 se Mike Oldfield stal členem skupiny The Whole Band zpěváka Kevina Ayerse, kde hrál na baskytaru. V této kapele také působil klávesista a hudební skladatel David Bedford, který se s Oldfieldem rychle spřátelil a který jej podporoval v tvorbě rané verze Tubular Bells. Bedford také později upravil a dirigoval orchestrální verze Tubular Bells a Hergest Ridge, prvních dvou Oldfieldových alb. Oldfield nahrál s Ayersem a jeho kapelou dvě alba, Whatevershebringswesing a Shooting at the Moon. Zatímco Oldfield nahrál demo verzi Tubular Bells, pokusil se přesvědčit někoho v hudebním průmyslu, aby jeho projekt podpořil. Všechny oslovené společnosti ho však odmítly s tím, že jeho hudba je neprodatelná. Nicméně v roce 1972 se Oldfield setkal s mladým Richardem Bransonem, který právě zakládal nové hudební vydavatelství Virgin Records. Po přehrání dema producentům Tomu Newmanovi a Simonu Heyworthovi začal Oldfield na podzim 1972 nahrávat definitivní verzi alba Tubular Bells. 1973 – 1991: období s vydavatelstvím Virgin Debutové album Tubular Bells se stalo Oldfieldovým nejslavnějším dílem. Tato instrumentálbí kompozice byla nahrána na přelomu let 1972 a 1973 a vydána 25. května 1973 jako první album nového Bransonova vydavatelství Virgin Records. Album zcela zbořilo klasické hudební schéma, sám Oldfield na něm hraje na více jak 20 odlišných nastrojů pomocí vícestopého nahrávacího zařízení v Bransonově studiu The Manor. V Tubular Bells se také střídá mnoho hudebních stylů a žánrů. Album se rychle dostalo do britského žebříčku Top 10 v prodejnosti hudebních alb a strávilo tam celkem 279 týdnů. V Británii se ho prodalo 2575000 kusů a tak se dostalo na 28. místo v žebříčku nejlépe prodávaných alb ve Spojeném království. V USA se Tubular Bells dostalo pozornosti především díky filmu Vymítač ďábla (anglicky The Exorcist) z téhož roku, ve kterém byla použita hudba z části tohoto alba. Na podzim 1974 pak následovalo druhé Oldfieldovo album Hergest Ridge, které se na první místo britské Top 10 dostalo na tři týdny a pak bylo sesazeno Tubular Bells. Ačkoliv bylo Hergest Ridge vydáno více jak rok po Tubular Bells, vrcholu v Top 10 dosáhlo jako první. Kromě Vymítače ďábla bylo Tubular Bells společně s další Oldfieldovou hudbou z následujících alb použito roku 1979 v dokumentárním filmu The Space Movie od Virginu, který oslavoval 10. výročí prvního přistání lidí na Měsíci. Stejně jako Tubular Bells je Hergest Ridge instrumentální kus složený ze dvou částí, který tentokrát evokuje scény z oblíbené Oldfieldovy krajiny Herefordshire. Hergest Ridge pak v roce 1975 následovala alba The Orchestral Tubular Bells (orchestrální verze upravená Davidem Bedfordem) a jedno z první alb world music, Ommadawn. O tři roky později Oldfield vydal své další dílo, Incantations, na kterém zní vokály Sally Oldfieldové, Maddy Priorové a dívčího sboru z londýnské Queen's College. V roce 1975 obdržel Oldfield cenu Grammy za nejlepší instrumentální kompozici (Tubular Bells – Theme from The Exorcist). Roku 1979 nahrál znělku „Blue Peter“ pro dětskou televizní show vysílanou na BBC. Byla používána 10 let. Během natáčení alba Incantations absolvoval Oldfield kontroverzní terapii na posílení osobní sebedůvěry známou jako Exegis. Jejím výsledkem zřejmě bylo první Oldfieldovo turné v roce 1979, na kterém spolu s mnoha dalšími přizvanými hudebníky propagoval své nejnovější album. Dokladem toho je první (a dosud také poslední) Oldfieldovo živé album Exposed vydané téhož roku. Na začátku 80. let se Oldfield začal přiklánět k „středněproudé“, mainstreamové pop music. Začalo to alby Platinum a QE2 s kratšími instrumentálními skladbami. Brzy poté začal psát písničky, ve kterých zpívali různí interpreti a které jsou charakteristické Oldfieldovými kytarovými sóly. Nejznámější z nich je „Moonlight Shadow“, hit z roku 1983 s Maggie Reillyovou jakožto zpěvačkou. Tato píseň byla převzata i mnoha jinými hudebníky, včetně Aselin Debisonově (kanadskéfolkové zpěvačky) nebo DJ Mystic (elektronická hudba/techno). O rok později Oldfield napsal hudbu k filmu Rolanda JofféhoVražedná pole (anglicky The Killing Fields), ke kterému vydal také stejnojmenný soundtrack. K Islands, vlastnímu albu z roku 1987, natočil Oldfield videoalbum, které zahrnuje videoklipy k většině skladeb na albu. Islands pokračovalo ve stylu, který u Oldfieldových alb začal již v roce 1982, totiž jednu stranu LP desky zabírá instrumentální kompozice, druhou pak několik rockových či popových písní. Z tohoto alba pochází také hitové písničky „Islands“ (zpěv Bonnie Tylerová) a „Magic Touch“ (zpěv Jim Price nebo, na americké verzi alba, Max Bacon). Album Earth Moving bylo vydáno v červenci 1989 a bylo prvním (a také posledním) Oldfieldovým albem, kde obě strany LP desky zabíraly rockové či popové písně bez jakékoliv instrumentální skladby. Několik písniček z Earth Moving bylo vydáno jako singly. V této době se také zvyšovalo napětí mezi Oldfieldem a jeho vydavatelem Virgin Records. To totiž údajně odmítlo vydat instrumentální album zamýšlené jako Tubular Bells 2. Oldfieldovou rebelující odpovědí byl Amarok, hodinu trvající dílo zahrnující mnoho velmi rychle se střídajících témat, nepředvídatelnými hluky a skrytou zprávou v morseovce, ve které přímo urážel Richarda Bransona. Ačkoliv je Amarok mnohými fanoušky považován za Oldfieldovo vrcholné dílo, žádného komerčního úspěchu nedosáhl. Rozloučením s Virginem se stalo následující album Heaven's Open, ve kterém Oldfield pokračoval ve skrytých výpadech proti Bransonovi. Zajímavostí tohoto alba je také skutečnost, že veškeré hlavní vokály nazpíval Oldfield sám, což se v jeho díle stalo poprvé a naposled. 1991 – 2003: období s vydavatelstvím Warner Prvním albem, které Oldfield nahrál a vydal u nového vydavatelství, ke kterému přešel, bylo Tubular Bells II, od původního Tubular Bells odlišná instrumentální kompozice, ale zároveň z původních „zvonů“ vycházející. TB II mělo živou premiéru na hradě ve skotskémEdinburghu. Po tomto titulu Oldfield pokračoval ve skládání hudby v nových hudebních stylech. Roku 1994 vydal The Songs of Distant Earth, album ve stylu New Age koncipované jako „soundtrack“ ke stejnojmenné knize A. C. Clarka (česky Zpěv vzdálené Země). Téhož roku byl po Oldfieldovi pojmenován asteroid 5656 Oldfield. Oldfield dále pokračoval v nových hudebních stylech, když nahrál Voyager, album ovlivněné keltskou hudbou. V roce 1998 vydal třetí „zvony“ – Tubular Bells III, tentokrát ve stylu taneční hudby ze španělskéIbizy, kam se přestěhoval. Toto album bylo stále inspirováno tématy původních Tubular Bells, ale odlišovalo se absencí projektu dvou částí kompozice. Během roku 1999 vydal Oldfield dvě alba. První, Guitars, je čistě instrumentální album nahrané pouze za pomocí kytar (včetně „bicích“ nástrojů). Druhé album nese název The Millenium Bell a sestává z mnoha zcela rozdílných stylů hudby, které mají reprezentovat rozdílné historické epochy uplynulých 2000 let. Část alba byla živě představena během koncertu v Berlíně, který se konal během silvestrovských oslav roku 1999. Dalším Oldfieldovým projektem se stalo MusicVR, které kombinovalo hudbu s počítačovou hrou na bázi virtuální reality. Jeho částí bylo také album Tr3s Lunas, které se prodávalo jako dvojCD. Na prvním disku bylo hudební album, na druhém pak počítačová hra. V roce 2003 vydal Oldfield album Tubular Bells 2003, zcela novou nahrávku původního Tubular Bells při 30. výročí jeho vydání. Verze 2003, ve které byly „opraveny chyby a nedokonalosti“ z původní nahrávky zaviněné nezkušeností a také technickými možnostmi tehdejších nahrávacích studií, byla vydána nejen na CD, ale i na DVD jako DVD-Audio. Od 2004: současnost V roce 2004 zprovoznil Oldfield svůj další virtuální projekt. Maestro v sobě zahrnovalo jak hudbu z Tubular Bells 2003, tak i několik dalších chilloutových skladeb. Hra je volně dostupná na Oldfieldových stránkách. O rok později vydal Oldfield u Mercury Records dvojalbum Light + Shade. Dva disky hudby obsahují skladby kontrastující nálady, jeden hudbu relaxující („Light“), druhý více rozmrzelou a podrážděnou („Shade“). Disk „Light“ obsahuje také několik vybraných skladeb z alba ve formátu U-MYX, který umožňuje posluchačům vytvořit si vlastní remix. Na konci roku 2006 se Oldfield zúčastnil německého turné Nokia Night of the Proms, na kterém vystupoval jako jeden z mnoha účastníků. Turné čítalo celkem 18 koncertů. V květnu 2007 byla u Virgin Books vydána Oldfieldova autobiografie s názvem Changeling. Zatím poslední album, Music of the Spheres, vydal Oldfield v březnu 2008. Jedná se o jeho premiéru s klasickou hudbou a orchestrem (nelze počítat The Orchestral Tubular Bells, neboť to bylo pro orchestr upraveno Davidem Bedfordem). Soukromý život Mike Oldfield a jeho sourozenci byli vychováni v římskokatolické víře, což bylo náboženství jejich matky Maureen. Na konci 70. let se Oldfield oženil s Dianou D'Aubignyovou, sestrou z programu Exegis. Toto manželství ale trvalo pouze několik týdnů. Mike Oldfield má celkem sedm dětí. Tři děti se narodily na začátku 80. let Sally Cooperové (dcera Molly, synové Dougal a Luke), další dvě (narodily se na konci 80. let) má s Anitou Hegerlandovou (dcera Greta, syn Noah). Na začátku 21. století se Oldfield oženil s Fanny Vandekerckhoveovou, se kterou se seznámil během pobytu na Ibize. Jejich dva synové se jmenují Jake a Eugene. Oldfield je motocyklový fanoušek, vlastní pět motorek. V roce 1999 prodal Oldfield svou vilu na ostrově Ibiza hudebníkovi Noelu Gallagherovi za 2,5 milionů liber. V roce 2007 se Oldfield přestěhoval z anglického Gloucestershiru do španělskéPalmy de Mallorca, protože Británie silně omezila kouření na veřejnosti. Mike Oldfield ale už dříve žil mimo Spojené království (např. v Los Angeles a na Ibize v 90. letech nebo ve Švýcarsku v polovině 80. let kvůli daním). V současnosti vlastní Oldfield ještě dům v Monaku. Diskografie Mika Oldfielda
Turné a koncerty První turné uspořádal Oldfield až v roce 1979 (na tomto turné byl nahrán záznam, který byl později vydán jako živé album Exposed. Další série koncertů následovaly v první polovině 80. let (každý rok a do roku 1984 včetně). Následující turné již bylo menšího rozsahu a konalo se v roce 1993 při příležitosti vydání desky Tubular Bells II a 20. výročí alba Tubular Bells. Zatím poslední „klasické“ turné absolvoval Oldfield v roce 1999. Na přelomu let 2006 a 2007 se také účastnil koncertů Night of the Proms, kde byl pouze jedním z účastníků a jeho vystoupení tak trvalo přibližně 30 minut. 1979 – Tour of Europe (březen – květen) 1980 – In Concert (duben – květen, září) 1981 – European Adventure Tour (březen – duben, červen – červenec) 1982 – Five Miles Out World Tour (duben – květen, září – prosinec) 1983 – Crises Tour (květen – červen) 1984 – Discovery Tour (srpen – listopad) 1993 – Tubular Bells II 20th Anniversary Tour (březen – duben, září) 1999 – Live Then & Now (červen – červenec, včetně jednoho koncertu v Praze) 2006 – Nokia Night Of The Proms (prosinec) 2007 – Nokia Night Of The Proms (březen)
